It’s not a bad day. I’m not sick, though I am unaccountably tired. But it’s one of those days when nothing seems to go right.
All excited to get back to work on “Should I Lie?” and “Forgotten Promises,” I found that Cakewalk has no sound. The computer itself has sound, and Window-eyes is talking, more or less. But there’s no sound in Cakewalk. As always when this happens, I can’t remember how to fix it. As far as I can tell, nothing is muted, in Cakewalk or in the system as a whole; and, with that discovery, my invention and imagination failed utterly. I have no idea what else to check. So, no songwriting.
Next I went to purchase my e-tickets for Engelbert’s webcasts on Wednesday and Friday, and found obstacle after roadblock. Finally got through the process, but the promised confirmation e-mail hasn’t arrived. So, it’s a matter of conjecture whether I’ll be able to tune into the webcasts. Of course, it’s a totally different question whether my computer can sustain the webcasts. But, that’s something only time will tell.
Guess that’s all I have to complain about just now, except that I suddenly can’t keep my eyes open. Time for a nap, or at least a lie down.
Tuesday, August 02, 2011
Errata
It seems I neglected to report that, in the Spring, I sold, yes sold, for real, cash money, my two, interrelated Sestinas, "The Troubadour's Song" and "The Lady's Song," to Breath and Shadow an online, semi-pro journal. Here's the link:
http://www.abilitymaine.org/breath/spr11e.html
http://www.abilitymaine.org/breath/spr11e.html
Monday, August 01, 2011
Reading and listening.
Current bedtime reading/listening (both being commercial audiobooks from Audible) is Tarzan and the Jewels of Opar by Edgar Rice Burroughs and The Farthest Shore: the Earthsea Cycle, Book Three by Ursula K. Le Guin. Each is enjoyable in it's own way, though they are very different.
Burroughs was a fine writer. His early books reflect their pulp origins, but his later books show sophistication of both craft and thought. As to Le Guin, what can I say? She has long been one of my favorite writers from the reader's standpoint and one of my heroes from the writer's standpoint. The Earthsea Cycle, so far, is a wholly lovely series, engaging and absorbing. Recorded Books' choice of Rob Englis, narrator of The Hobbit and The Lord of the Rings to read The Earthsea Cycle shows sensitivity and discernment; for Le Guin's work is very much in the spirit of Tolkien's, though different and distinctive. Both Earthsea and Middle-earth are worlds one can imagine living in which, to me, is the mark of a gifted storyteller.
I've also been listening to two new, to me, LPs that arrived over the weekend, The Very Best of Engelbert Humperdink and I Wish You Love, also an Engelbert compilation. I Wish You Love is a particularly excellent record. The first cut on Side One is "After the Lovin'" - How much better can it get than that? The record also includes "quiet Nights," "Winter World of Love" and "Quando, Quando, Quando," to name a scant handful, as well, of course, as the title song. The compilers might have created this record just for me. It's not on RYM though, so I'll have to add it. Irritatingly, my scanner isn't large enough to accomodate LPs, which means I won't be able to upload the album cover. But, you can't have everything. *sigh*
Burroughs was a fine writer. His early books reflect their pulp origins, but his later books show sophistication of both craft and thought. As to Le Guin, what can I say? She has long been one of my favorite writers from the reader's standpoint and one of my heroes from the writer's standpoint. The Earthsea Cycle, so far, is a wholly lovely series, engaging and absorbing. Recorded Books' choice of Rob Englis, narrator of The Hobbit and The Lord of the Rings to read The Earthsea Cycle shows sensitivity and discernment; for Le Guin's work is very much in the spirit of Tolkien's, though different and distinctive. Both Earthsea and Middle-earth are worlds one can imagine living in which, to me, is the mark of a gifted storyteller.
I've also been listening to two new, to me, LPs that arrived over the weekend, The Very Best of Engelbert Humperdink and I Wish You Love, also an Engelbert compilation. I Wish You Love is a particularly excellent record. The first cut on Side One is "After the Lovin'" - How much better can it get than that? The record also includes "quiet Nights," "Winter World of Love" and "Quando, Quando, Quando," to name a scant handful, as well, of course, as the title song. The compilers might have created this record just for me. It's not on RYM though, so I'll have to add it. Irritatingly, my scanner isn't large enough to accomodate LPs, which means I won't be able to upload the album cover. But, you can't have everything. *sigh*
Sunday, July 31, 2011
Prize Winners
Here are the poems that took First And Second Prize in this year's NFB Writers Division Poetry Contest.
When you were mine every day was Summer
The night always overflowed with stars
Each kiss and every touch was newborn magic
Nothing blocked our way; the world was ours.
When you were mine the shadows couldn’t scare us
The future spread before us bright and clear
My light was just your smile; my music was your laughter,
Nothing else meant anything to me.
There’s nothing now except your memory
My heart is bleak as Winter but still sometimes
You call to me across the years and again
I’m with you in the sweet days when you were mine.
The afternoon’s last sunlight lies in bars across the floor
Soon it fades and melts away as twilight falls once more.
This used to be the time of day I always loved the most,
But now it’s just the nightfall, that doesn’t matter any more.
The dawn is soft with silver mist and soon the rain appears
It blurs the edges of the day and merges with my tears.
This used to be the time of day you always held me close.
But now it’s just the morning that doesn’t matter any more.
My friends say that I should find a new love.
They tell me I’ll be happy once again.
But my heart could never part with you, Love
Where’s happiness when the world is cold and dead?
So now I watch the nights and days go spinning by.
At times I cry, but mostly I just wonder why,
Why you were taken from my arms when we finally had it all
I love you so but now, it doesn’t matter any more.
When You Were Mine
When you were mine every day was Summer
The night always overflowed with stars
Each kiss and every touch was newborn magic
Nothing blocked our way; the world was ours.
When you were mine the shadows couldn’t scare us
The future spread before us bright and clear
My light was just your smile; my music was your laughter,
Nothing else meant anything to me.
There’s nothing now except your memory
My heart is bleak as Winter but still sometimes
You call to me across the years and again
I’m with you in the sweet days when you were mine.
It Doesn't Matter Any More
The afternoon’s last sunlight lies in bars across the floor
Soon it fades and melts away as twilight falls once more.
This used to be the time of day I always loved the most,
But now it’s just the nightfall, that doesn’t matter any more.
The dawn is soft with silver mist and soon the rain appears
It blurs the edges of the day and merges with my tears.
This used to be the time of day you always held me close.
But now it’s just the morning that doesn’t matter any more.
My friends say that I should find a new love.
They tell me I’ll be happy once again.
But my heart could never part with you, Love
Where’s happiness when the world is cold and dead?
So now I watch the nights and days go spinning by.
At times I cry, but mostly I just wonder why,
Why you were taken from my arms when we finally had it all
I love you so but now, it doesn’t matter any more.
Friday, July 29, 2011
The Cave Girl
Yesterday afternoon and evening I read Edgar Rice Burroughs' The Cave Girl, a thrilling tale of how a pusillanimous ninety-pound weakling becomes a man under the influence of a good woman and the hearty outdoors life. The young lady of the title is no slouch either. 8) In fact, not only is she beautiful, athletic and spunky, she turns out to be not quite what she initially appears.
Wednesday, July 27, 2011
Restoring Eden
60 Minutes reports on the remarkable efforts of one engineer and the group he has formed to restore the marshlands of Iraq.
Monday, April 11, 2011
Sunday, January 02, 2011
Quiet Day
Quiet day today. The weather was gray and kind of gloomy, which I suppose I can blame for my having accomplished next to nothing.
No writing per se, but I have been working a bit on harmonizing “Should I Lie?”
Reconnected with one of my e-mail discussion groups. Tried to reconnect with another, the MusicTalk list, but the message didn’t go through. I hope that when the daily digest comes through tomorrow, the system will allow me to “reply.”
I’ve resumed doing a little gentle exercise. Hoping the key is to have modest goals. Three simple, non-strenuous exercises, starting with only a few repetitions each, surely shouldn’t be too overwhelming, and so not difficult to maintain. We’ll see. We can but hope.
I’m also going to try not to use any bad language. With as irritating and frustrating as it is dealing with my computer, that one may be pretty tough to maintain. But, it can’t hurt to try.
Nothing else really.
I had a Stouffer’s Mac and Cheese for supper, and I feel like I ate a twelve course dinner, really stuffed and sleepy. I don’t understand it. But there doesn’t seem much point in fighting. I’ll have a bit of a lie down and maybe get back to work later in the evening.
No writing per se, but I have been working a bit on harmonizing “Should I Lie?”
Reconnected with one of my e-mail discussion groups. Tried to reconnect with another, the MusicTalk list, but the message didn’t go through. I hope that when the daily digest comes through tomorrow, the system will allow me to “reply.”
I’ve resumed doing a little gentle exercise. Hoping the key is to have modest goals. Three simple, non-strenuous exercises, starting with only a few repetitions each, surely shouldn’t be too overwhelming, and so not difficult to maintain. We’ll see. We can but hope.
I’m also going to try not to use any bad language. With as irritating and frustrating as it is dealing with my computer, that one may be pretty tough to maintain. But, it can’t hurt to try.
Nothing else really.
I had a Stouffer’s Mac and Cheese for supper, and I feel like I ate a twelve course dinner, really stuffed and sleepy. I don’t understand it. But there doesn’t seem much point in fighting. I’ll have a bit of a lie down and maybe get back to work later in the evening.
Saturday, January 01, 2011
Happy New Year!
Wishing everyone all the best for the year just begun.
I got to work almost immediately upon waking with a new song, “Forgotten Promises.” The lyric is finished, the melody not quite, but it's getting there. This one has a Country feel, which is new for me.
Lots to do this year, what with songs and stories to finish. I also want to participate more regularly in my discussion lists and groups, as well as to blog here more reliably. I need to try again to join the NFB Music Division. Strangely, the couple of times I’ve e-mailed to inquire about joining, my message has gone unanswered. But, this time I’ll be more persistent. Maybe an inquiry to the musictalk list would be fruitful.
Anyway, I start 2011, as I start every year, with good intentions. Sold two poems in 2010. This year, may the momentum continue and grow!
I got to work almost immediately upon waking with a new song, “Forgotten Promises.” The lyric is finished, the melody not quite, but it's getting there. This one has a Country feel, which is new for me.
Lots to do this year, what with songs and stories to finish. I also want to participate more regularly in my discussion lists and groups, as well as to blog here more reliably. I need to try again to join the NFB Music Division. Strangely, the couple of times I’ve e-mailed to inquire about joining, my message has gone unanswered. But, this time I’ll be more persistent. Maybe an inquiry to the musictalk list would be fruitful.
Anyway, I start 2011, as I start every year, with good intentions. Sold two poems in 2010. This year, may the momentum continue and grow!
Friday, December 24, 2010
Thursday, December 16, 2010
Baah Humbug!
Today I got a rejection from Analog.
It was a long shot,I'd sent them "Spirits from the Vasty Deep," and like Sis said, you don't know unless you try. But, still... Poo!
It was a long shot,I'd sent them "Spirits from the Vasty Deep," and like Sis said, you don't know unless you try. But, still... Poo!
Wednesday, December 15, 2010
Thursday, December 09, 2010
Taking A Break
Songwriting went on the back burner for a little while this week as my sister, a good friend and I took in a Chris Isaaks concert at Northampton’s Calvin Theater Tuesday night. I hadn’t been to a concert in about twenty years, so the mere idea was exciting.
But the fun didn’t only come from anticipation. The show itself was excellent. And it wasn’t just the audience who had a good time. Chris and the band were rockin’, and didn’t seem to want to stop. It was a great show and a most enjoyable evening out. Thanks, Sis!
But the fun didn’t only come from anticipation. The show itself was excellent. And it wasn’t just the audience who had a good time. Chris and the band were rockin’, and didn’t seem to want to stop. It was a great show and a most enjoyable evening out. Thanks, Sis!
Tuesday, November 30, 2010
Ridden by the Muse
For about two weeks in the middle of November, I hardly had time to catch my breath. I wrote five songs, completed one poem and made a very good start on two other poems. Indeed, during that time, I rote two songs of totally opposite mood, one bleak and one sweet, in a single twelve-hour period. Donno what was going on, but I got pretty tired. Still, the burst of creativity was exhilarating.
The burst is past now, but I still have harmonizing and arranging to do on the songs from that batch as well as more work to do on “Something Precious Remains” and “Music To My Heart.” It’s going slowly, this part of songwriting doesn’t come easily to me; but, it’s coming.
Also, I submitted “World Enough And Time” to my writers group and to another writer friend and SF enthusiast, even though it’s not quite finished. They gave me helpful comments and a lot of encouragement. It seems I’ve painted myself into a couple of tight corners. So far solutions haven’t occurred to me, but I’m not worried, yet. The best thing is to let the problem or problems stew and brew for a while. Eventually something will come, or not. If not, I’ll put the story away and forget about it.
Also trying to write the second New Year’s story for A Very Dragon Christmas, so far with little success. Again, though, I’m not terribly fussed. It will settle into place in my mind.
My main problem continues to be sleep, or rather lack thereof. One thing about insomnia, you do get a lot of reading done. I’ve lost count of the number of books I’ve read in the past month, certainly at least a dozen. Can’t concentrate on anything deep, so I’ve been reading a lot of Agatha Christie and some Edgar Rice Burroughs. They are both interesting without being too demanding.
Well, that’s about all I’ve been up to. It doesn’t seem like much when I come to write it down, but it’s been quite enough. Here’s hoping that December will also be productive.
The burst is past now, but I still have harmonizing and arranging to do on the songs from that batch as well as more work to do on “Something Precious Remains” and “Music To My Heart.” It’s going slowly, this part of songwriting doesn’t come easily to me; but, it’s coming.
Also, I submitted “World Enough And Time” to my writers group and to another writer friend and SF enthusiast, even though it’s not quite finished. They gave me helpful comments and a lot of encouragement. It seems I’ve painted myself into a couple of tight corners. So far solutions haven’t occurred to me, but I’m not worried, yet. The best thing is to let the problem or problems stew and brew for a while. Eventually something will come, or not. If not, I’ll put the story away and forget about it.
Also trying to write the second New Year’s story for A Very Dragon Christmas, so far with little success. Again, though, I’m not terribly fussed. It will settle into place in my mind.
My main problem continues to be sleep, or rather lack thereof. One thing about insomnia, you do get a lot of reading done. I’ve lost count of the number of books I’ve read in the past month, certainly at least a dozen. Can’t concentrate on anything deep, so I’ve been reading a lot of Agatha Christie and some Edgar Rice Burroughs. They are both interesting without being too demanding.
Well, that’s about all I’ve been up to. It doesn’t seem like much when I come to write it down, but it’s been quite enough. Here’s hoping that December will also be productive.
Monday, November 29, 2010
The Sweet Smell of Success
Today I got word that Breath and Shadow has accepted "The Troubadour's Song" and "The Lady's Song," a pair of sestinas. They will probably appear in the Spring 2011 issue.
It's a long time since I sold a poem, let alone two poems at once, so I'm very pleased. The frosting on the cake is that it's an actual "sale," for money. Breath and Shadow pays $5.00-$15.00 per poem so, I'll earn something between $10.00 and $30.00. That's not a fortune, but it's respectable. As I say, though, the dollar amount is less important to me than the fact of the sale. After a string of rejections this year, the acceptance from Chris Kewl is cause for celebration.
It's a long time since I sold a poem, let alone two poems at once, so I'm very pleased. The frosting on the cake is that it's an actual "sale," for money. Breath and Shadow pays $5.00-$15.00 per poem so, I'll earn something between $10.00 and $30.00. That's not a fortune, but it's respectable. As I say, though, the dollar amount is less important to me than the fact of the sale. After a string of rejections this year, the acceptance from Chris Kewl is cause for celebration.
Sunday, November 28, 2010
Box Blues
amazon.com can be so annoying!
Last night I, uh... Well, I went there looking for two specific CD's, one of which, Step Into My Life, they didn't have at all, the other of which, Released, (Engelbert's latest, just out the Sixteenth of this month), they had but it seemed outrageously expensive. It was just as expensive at amazon.co.uk so, after a struggle, I decided not to get it.
But,in the course of looking, I saw a couple of other CD's and, uh, three DVD's.... Not only that, but I forgot to select Super Saver shipping and I also forgot to combine orders into as few shipments as possible.
So, I was resigned to Sis having a fit, or at least having a good laugh at me when one box came containing two Engelbert CD's and another box came, possibly the same day, containing three Engelbert DVD's. What can you do, you know? But just now I got an e-mail saying that they've shipped one CD separately. I hate that. They claim they're doing it to be helpful, to give faster service. But, whatever the items, I much prefer them to come all together in as few boxes as possible, not in a blizzard of boxes. And especially when the items are things that Sis can't quite help laughing at me about. I do feel slightly sheepish but, really. Nobody laughs all that much when, every year or so, I buy the new Glass Hammer CD, and I've always had a crush on Fred. I don't understand it, but there it is. *sigh* Sis is gonna be sniggering all next week as she opens my boxes for me.
On the other hand, it could be worse. Mum might still open my mail for me!
Last night I, uh... Well, I went there looking for two specific CD's, one of which, Step Into My Life, they didn't have at all, the other of which, Released, (Engelbert's latest, just out the Sixteenth of this month), they had but it seemed outrageously expensive. It was just as expensive at amazon.co.uk so, after a struggle, I decided not to get it.
But,in the course of looking, I saw a couple of other CD's and, uh, three DVD's.... Not only that, but I forgot to select Super Saver shipping and I also forgot to combine orders into as few shipments as possible.
So, I was resigned to Sis having a fit, or at least having a good laugh at me when one box came containing two Engelbert CD's and another box came, possibly the same day, containing three Engelbert DVD's. What can you do, you know? But just now I got an e-mail saying that they've shipped one CD separately. I hate that. They claim they're doing it to be helpful, to give faster service. But, whatever the items, I much prefer them to come all together in as few boxes as possible, not in a blizzard of boxes. And especially when the items are things that Sis can't quite help laughing at me about. I do feel slightly sheepish but, really. Nobody laughs all that much when, every year or so, I buy the new Glass Hammer CD, and I've always had a crush on Fred. I don't understand it, but there it is. *sigh* Sis is gonna be sniggering all next week as she opens my boxes for me.
On the other hand, it could be worse. Mum might still open my mail for me!
Thursday, August 26, 2010
Music, Music, Music!
Well, I've finally finished the first draft, so to speak, of "Music to My Heart." The lyric is pretty much finished and the melody is pretty much finished. Because of some wrestling with Cakewalk, I didn't get to bed till 3:30, but I don’t regret it. Actually slept pretty well for once.
Stage 2 in the writing of a song, for me, is to sort out the note durations. I write out the melody in all quarter notes first, then in the second stage worry about what should be an eighth note, what a half note, and so forth. The third stage is adding the harmony. While stages 2 and 3 require a lot of concentration, they're not difficult per se. So, the hard part is over in this project. Yay! I was beginning to think it would never come together.
In other music-related news, I've been buying records again: The Carpenters and Engelbert, with a little spice of Dusty Springfield and Gilbert O’Sullivan. You can get a lot of vynel for the cost of one CD. And while CD's are wonderful in their way, you just can't beat real records.
On the other hand, over the weekend I installed iTunes and managed to download Engelbert’s new single, “Tell Me Where It Hurts.” Even figured out how to play it - the iTunes interface is not very disabled friendly. So, it's not as if I'm failing to keep up with the times. It's just that I like real records.
Stage 2 in the writing of a song, for me, is to sort out the note durations. I write out the melody in all quarter notes first, then in the second stage worry about what should be an eighth note, what a half note, and so forth. The third stage is adding the harmony. While stages 2 and 3 require a lot of concentration, they're not difficult per se. So, the hard part is over in this project. Yay! I was beginning to think it would never come together.
In other music-related news, I've been buying records again: The Carpenters and Engelbert, with a little spice of Dusty Springfield and Gilbert O’Sullivan. You can get a lot of vynel for the cost of one CD. And while CD's are wonderful in their way, you just can't beat real records.
On the other hand, over the weekend I installed iTunes and managed to download Engelbert’s new single, “Tell Me Where It Hurts.” Even figured out how to play it - the iTunes interface is not very disabled friendly. So, it's not as if I'm failing to keep up with the times. It's just that I like real records.
Thursday, August 12, 2010
Caught an Error?
Just watched 56: Between a Yuk and a Hard Place 12/13/1988 5 - 2
The music listings on the Moonlighting Episode guide (http://dogwood.phpwebhosting.com/~tvshrine/moonlightingEG5.htm) say that the version of “Up, Up and Away” used on the episode is by The Fifth Dimension. Well, I know what the Fifth Dimension sound like, and it wasn’t them. I’m sure it was Engelbert. Now, why would they make a mistake like that? Sure, the Fifth Dimension had the major hit, but lots of other people recorded it, including Andy Williams.
It is possible that I’m wrong, I do sometimes misidentify singers. But Engelbert has a pretty distinctive voice and style. I’m going to try to track down a record of “Up, Up and Away” by him, just for my own satisfaction.
Update
Found it!
The music listings on the Moonlighting Episode guide (http://dogwood.phpwebhosting.com/~tvshrine/moonlightingEG5.htm) say that the version of “Up, Up and Away” used on the episode is by The Fifth Dimension. Well, I know what the Fifth Dimension sound like, and it wasn’t them. I’m sure it was Engelbert. Now, why would they make a mistake like that? Sure, the Fifth Dimension had the major hit, but lots of other people recorded it, including Andy Williams.
It is possible that I’m wrong, I do sometimes misidentify singers. But Engelbert has a pretty distinctive voice and style. I’m going to try to track down a record of “Up, Up and Away” by him, just for my own satisfaction.
Update
Found it!
Friday, July 23, 2010
Reality Check
Well, "Music to My Heart" isn’t finished. Not even close. I got the lyric smoothed into iambic pentameter. Only, one line is tetrameter. And it feels complete – the thought is complete - only it’s missing a foot. And, it doesn’t rhyme. None of it rhymes. That’s fine for a poem, but a song needs a good, solid rhyme scheme.
The idea is sound – I’m still sure and enthusiastic about it – and I’ve said everything I want to say... Just need now to say it better, or at least more conventionally. Just! Yeah. *sigh* I know it’s good, and I know it will work if I can only kick my brain out of the rut it’s stuck in and find the right words. Break out of the box in order to be more conventional. An oxymoron, right? But that’s exactly what I need to do. And trying to do it makes me so tired! Guess I’m really out of practice.
And, of course, I really can’t do much with the melody till the lyric’s set or at least semi stable.
The thing is, Bert Bacherach and Nigel Lewis’ "Nothing in this World" keeps running through my mind, which would be fine – it’s a gorgeous song – except I really need to be able to hear the song I’m currently working on, need to be able to concentrate on it to the exclusion of all other songs. That’ clearly not going to happen for a while.
So, though I hoped to zip right through, this project clearly is going to take some time. I need to move it to the back burner and let it stew and brew a while, much as doing so irks me. On the other hand, it’s not like I have a shortage of stuff to work on. But I’m enthusiastic about this project. I want to work on this project. *sigh* Realistically, though, continuing to flog it will do more harm than good and I know it. So, it’s move on to other things for now.
The idea is sound – I’m still sure and enthusiastic about it – and I’ve said everything I want to say... Just need now to say it better, or at least more conventionally. Just! Yeah. *sigh* I know it’s good, and I know it will work if I can only kick my brain out of the rut it’s stuck in and find the right words. Break out of the box in order to be more conventional. An oxymoron, right? But that’s exactly what I need to do. And trying to do it makes me so tired! Guess I’m really out of practice.
And, of course, I really can’t do much with the melody till the lyric’s set or at least semi stable.
The thing is, Bert Bacherach and Nigel Lewis’ "Nothing in this World" keeps running through my mind, which would be fine – it’s a gorgeous song – except I really need to be able to hear the song I’m currently working on, need to be able to concentrate on it to the exclusion of all other songs. That’ clearly not going to happen for a while.
So, though I hoped to zip right through, this project clearly is going to take some time. I need to move it to the back burner and let it stew and brew a while, much as doing so irks me. On the other hand, it’s not like I have a shortage of stuff to work on. But I’m enthusiastic about this project. I want to work on this project. *sigh* Realistically, though, continuing to flog it will do more harm than good and I know it. So, it’s move on to other things for now.
Tuesday, July 20, 2010
Writing, and it feels so wonderful!
I started a brand new song, donno exactly, maybe an hour ago. The lyric is shaping up nicely, and the melody for the refrain is set, and set down. Even got the last part of the coda roughed out. Only thing left is, hm,mm, what do you call that? The main melody? The bit in between, that isn’t refrain. You know what I mean. Too tired and too high to care a whole lot if I’m making sense.
I’ve worked it out, and this is the first song I’ve written in some six years. I’ve noodled around, kicked around melody ideas, but this is the first real song. For me, the lyric usually comes first, and the melody follows quickly, or at least parts of it. So it was this time. I had the rough lyric in about five minutes. As I refined it, the refrain melody slowly took shape in another layer of my mind, so to speak, until it was defined enough to start setting down. Then there was some logistical stuff with Cakewalk, the antiquated but excellent music software I use (recommended to me many years ago by none other than Fred Schendle of Glass Hammer) as t how to copy and paste just the music so I could put the refrain melody in with each occurrence of the words. And, by the time I’d sorted that out, I had the very end. As to the remaining blank spots, I’m not worried. There may be an existing fragment I can shape. If not, the bits I need will come. They usually do. And, I have a really good feeling about this song. The way it flowed felt so right, so wonderful.
I don’ know if it uses different muscles or what, but songwriting is very different from writing prose or, curiously, even poetry. The flow is different; the feel is different. I haven’t experienced the particular kind of creative expression in so long that I’d almost forgotten what it feels like. But, it’s one of those things that comes right back. And it sure feels great!
I’ve worked it out, and this is the first song I’ve written in some six years. I’ve noodled around, kicked around melody ideas, but this is the first real song. For me, the lyric usually comes first, and the melody follows quickly, or at least parts of it. So it was this time. I had the rough lyric in about five minutes. As I refined it, the refrain melody slowly took shape in another layer of my mind, so to speak, until it was defined enough to start setting down. Then there was some logistical stuff with Cakewalk, the antiquated but excellent music software I use (recommended to me many years ago by none other than Fred Schendle of Glass Hammer) as t how to copy and paste just the music so I could put the refrain melody in with each occurrence of the words. And, by the time I’d sorted that out, I had the very end. As to the remaining blank spots, I’m not worried. There may be an existing fragment I can shape. If not, the bits I need will come. They usually do. And, I have a really good feeling about this song. The way it flowed felt so right, so wonderful.
I don’ know if it uses different muscles or what, but songwriting is very different from writing prose or, curiously, even poetry. The flow is different; the feel is different. I haven’t experienced the particular kind of creative expression in so long that I’d almost forgotten what it feels like. But, it’s one of those things that comes right back. And it sure feels great!
Subscribe to:
Posts (Atom)